At 60 lux, the SDR-H60 lost a great deal of color information when compared to its bright light performance. We shoot a DSC Labs Chroma DuMonde color chart at an even 60 lux and 15 lux. First, let's look at how it stacked up against the competition. The low light performance of the Panasonic SDR-H60 was tested in three stages: comparative analysis, sensitivity, and noise/color accuracy. This is about average for a camcorder in this price range. Ultimately, we found the Panasonic SDR-H60 to produce a horizontal resolution of 325 line widths per picture height (lw/ph), and a vertical resolution of 275 lw/ph. The footage is then played back on a monitor for analysis. The video resolution of the Panasonic SDR-H60 was tested by shooting a DSC labs video resolution chart at an even, bright light. Overall, the video performance of the Panasonic SDR-H60 is acceptable, but it won't wow anybody. In our low light testing, we saw much larger differences, with the JVC GZ-MG330 and Canon FS11 shooting ahead of the pack. All three of these camcorders produced a decent, standard definition image. Overall, the biggest thing we noticed was the lack of difference in outdoor shooting. There was also a tendency to warm the image, producing a redder tone than the Sony DCR-SR85 or JVC GZ-MG330. Out of the lab, the Panasonic produced the least saturated colors. The Sony DCR-SR85 was the weakest performer in this test, producing an image with uneven color tones and blotches of blue noise – the color accuracy of the SR85 scored poorly in our low light testing. The Canon FS11 and FS100 produced less color saturation and less noise. The sharpness is important, because the general fuzziness of the H60 caused it to lose a lot of fine detail. The colors are slightly muted compared to the H60, but more accurate. The SDR-H200 produced a sharper image with less noise. However, the color performance was quite good, with vivid, even tones that were not too under or over-saturated.īy comparison, the Panasonic SDR-H200, the step-up from the H60, has three CCD sensors, each the same size as the 1/6-inch chip in the H60, but with a higher effective pixel count. There was a lot of noise, even in this bright light. If you want the sharpest camcorder in this price range, the SDR-H60 is not the one for you. In our standard lab testing, we shoot a DSC Labs Chroma DuMonde color chart at an even 3000 lux.
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